Employments of the "standard pattern" in Yoruba music

  • Anthony King Lecturer in music at the Institute of Education, University College, Ibadan
Keywords: Music -- Interpretation (Phrasing, dynamics, etc.), Yoruba (African people) -- Music, Music -- Nigeria, Ethnomusicology -- Nigeria, Drum -- Performance -- Nigeria, Drum music -- Nigeria

Abstract

The purpose of this article is to show some of the uses of the Standard Pattern in Yoruba traditional music. Among most African races this pattern is relegated to those instruments forming a rhythmic bond between the song (if any) and the drumming. Thus we usually find it performed on metal bells and gongs, rattles and allied instruments, or by handclapping. The Yoruba music in question, drawn from the Ekiti area, does not permit the mixing of any alien sounds with those of the drums, the only and obvious exception being the voices of the singers rendering the song. This means that gongs, bells, rattles and handclapping are never employed in any performance in which the drums are used.

Author Biography

Anthony King, Lecturer in music at the Institute of Education, University College, Ibadan
B. Mus. from London, currently researching in Yoruba, Ibo and Hausa music.
Published
1960-11-30
How to Cite
King, A. “Employments of the "standard Pattern" In Yoruba Music”. African Music: Journal of the International Library of African Music, Vol. 2, no. 3, Nov. 1960, pp. 51-54, doi:https://doi.org/10.21504/amj.v2i3.610.