Ese music: honours for the dead: status for the sponsor

Authors

  • Meki Nzewi Department of Music, University of Nigeria, Nsukka, Anambra State

DOI:

https://doi.org/10.21504/amj.v6i4.1262

Abstract

The Igbo society is a distinct culture area in the political entity called Nigeria. Nigeria, population estimated at over 88 millions, is a country populated by over 248 distinct linguistic-cultural groups. A fast modernising nation naturally endowed with mineral (predominantly oil) wealth, and now practising a presidential system of modern government (since October 1979) after 13 years of military rule, Nigeria is a nation where modern technology and value systems operate in apposition with traditional belief systems.

References

Merriam, A.P. 1964 The anthropology of music. Northwestern U Press.

Nketia, J.H.K. 1963 Drumming in Akan communities of Ghana. Edinburgh: Thomas Nelson.
1973 "The musician in Akan society". In The traditional artist in African societies. Bloomington: Indiana U Press.

Carrington, J.F. 1949 Talking drums of Africa. London: Carey Kingsgate.
1956 "Individual names given to talking gongs in the Yalemba area of Belgian Congo". African Music Vol.1 No.3, 10-17.

Blades, J. 1975 Percussion instruments and their history. London: Faber & Faber.

Nzewi, M. 1980 "Psycho-dramatic intentions of music in dance and role-acting". Workshop on Masquerades, University of Port Harcourt.

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Published

1987-07-21

How to Cite

Nzewi, Meki. 1987. “Ese Music: Honours for the Dead: Status for the Sponsor”. African Music : Journal of the International Library of African Music 6 (4):90-107. https://doi.org/10.21504/amj.v6i4.1262.