A model for the study of African music
DOI:
https://doi.org/10.21504/amj.v5i3.1654Abstract
In recent years, African music which some in the past had considered as 'grotesque', 'cacophonous', and a perversion of the norm in music has gained wide acceptance and respectability. Its formal study in a number of institutions in Euro-America, combined with research into its various forms, is becoming increasingly popular. Thus, it is not uncommon to find elementary and high school children learning African songs and dances in their original languages and at the college level, apart from full-time scholarship, students are given experiences in performing African music either through singing of songs, dancing or playing of various musical instrumentsReferences
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Ho o d, Mantle : "Music the unknown” in Musicology by Harrison, Hood and Palisca, New Jersey: Prentice Hall, 1963, p. 215-326.
---------: "Ethnomusicology”, Harvard Dictionary of Music (ed.) Willi Apel, London: Heinemann Educational Books Limited, 1970, p. 298-300.
James, Preston E.: "A conceptual structure for geography” in Readings for Social Studies in Elementary Education by Jarolimek, J., and Huber M. Walsh, London: Macmillan Co., 1969, p. 380-389.
Jarolimek , John : "Conceptual approaches: their meaning for elementary social studies” in Readings for Social Studies in Elementary Education by Jarolimek, J. and Huber M. Walsh, London: Macmillan Co., 1969, p. 207-217.
Oslon, Rees G.: "Teaching music concepts by the discovery method”, Music Educators Journal\September 1967.
Pratt, Carrol C.: "Musicology and related disciplines” in Some Aspects of Musicology by Mendel, Sachs and Pratt, New York: The Liberal Arts Press, 1967.
Seeger , Char l e s: "Music and culture”, Proceedings of Music Teachers National Association, 1941, p. 12-22-
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1973-11-30
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“A Model for the Study of African Music”. 1973. African Music : Journal of the International Library of African Music 5 (3): 6-11. https://doi.org/10.21504/amj.v5i3.1654.