Music of the Gold Coast

Authors

  • Philip Gbeho University College of the Gold Coast, Achimota

DOI:

https://doi.org/10.21504/amj.v1i1.229

Keywords:

Music -- Africa -- History and criticism, Dance -- Africa -- History and criticism, Singing -- Africa -- History and criticism, Improvisation (Music), Polyrhythm -- Africa -- History and criticism, Drum -- Performance -- Africa

Abstract

What do we mean by the term “music” in Africa? It is the combination of three things that are interdependent and never separated: dancing, singing and drumming. The songs are generally short and would probably be dull if it was not for the African’s natural gift of improvisation—which is the very heart of music. Having to repeat the short songs over and over again, we have varied the tune with every repetition, improvising and adding extra notes and tones to keep up the listener’s—and singer’s—interest without totally departing from the particular harmony of the tune. This natural gift of improvisation, thought to be important by great musicians like Bach, is the sign of a man’s true musicianship.

Author Biography

Philip Gbeho, University College of the Gold Coast, Achimota

A professional musician, trained in England; now a lecturer.

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Published

1954-12-01

How to Cite

Gbeho, Philip. 1954. “Music of the Gold Coast”. African Music : Journal of the International Library of African Music 1 (1):62-64. https://doi.org/10.21504/amj.v1i1.229.