Musical training in Tribal West Africa

Authors

  • Edna M. Smith Head of College of Music, University of Nigeria, Nusukka (Nigeria)

DOI:

https://doi.org/10.21504/amj.v3i1.731

Keywords:

Ashanti (African people) -- Songs and music, Ashanti (African people) -- Folklore, Ashanti (African people) -- Social life and customs, Music -- Ghana -- Instruction and study

Abstract

With the possible exception of the "Bush Schools" set up by the tribes for initiation purposes or by the secret societies such as the Leopard Society, traditional instruction in Tribal West Africa was not on an institutional basis. It was based on the principle of slow absorption of musical experience and active participation rather than formal teaching. The social organization was helpful, for the child was absorbed into all activities of the tribe and these activities were generally connected with music. The child's first lessons in music were given by his mother. Immediately after birth the child was placed on his mother's back while she went about her daily tasks. In this way the child from his birth was introduced to the music of his culture. He learned what the music required in terms of both bodily movement and vocal effort. He formed through these early experiences the habit of listening to the music of his people.

Downloads

Published

1962-05-16

How to Cite

“Musical Training in Tribal West Africa”. 1962. African Music : Journal of the International Library of African Music 3 (1): 6-10. https://doi.org/10.21504/amj.v3i1.731.

Similar Articles

1-10 of 757

You may also start an advanced similarity search for this article.