Vol. 7 No. 4 (1999): African Music: Journal of the International Library of African Music

DOI: https://doi.org/10.21504/amj.v7i4

Published: 1999-11-30

Front Matter

• African Music, Vol. 7, No. 4 (1999)

  [i-iv]

  • PDF

Articles

• Dr. David Kenneth Rycroft, 7 December 1924 - 8 August 1997

  Gerhard Kubik

  3-5

  • PDF

• The musical scene in Uganda views from without and within

  Peter Cooke, Sam Kasule

  6-21

  • PDF

• The ndongo bowl lyre of the Baganda: an examination of its sonic properties

  James Makubuya

  22-28

  • PDF

• Xylophone music of Uganda: theembaire of Nakibembe, Busoga

  James Micklem, Andrew Cooke, Mark Stone

  29-46

  • PDF

• Ennanga harp songs of Buganda: Temutewo Mukasa's "gganga alula"

  Andrew Cooke, James Micklem

  47-65

  • PDF

• Fieldwork in Lango, northern Uganda Feb-Mar 1997

  Peter Cooke

  66-72

  • PDF

• The evolution of urban music in Democratic Republic of Congo during the 2nd and 3rd decades (1975-1995) of the Second Republic-Zaire

  Kazadi wa Mukana

  73-87

  • PDF

• Gumboots, Bhaca migrants, and Fred Astaire: South African worker dance and musical style

  Carol Muller, Janet Topp-Fargion

  88-109

  • PDF

• Some music traditions of Malawi

  Mitchell Strumpf

  110-121

  • PDF

• Singing Psalms with owls: a Venda twentieth century musical history

  Jaco Kruger

  122-146

  • PDF

• Koo Nimo: a contemporary Ghanaian musician

  Andrew L. Kaye

  147-165

  • PDF

• Ethnomusiological education for a humane society: ethical issues in the post-colonial, post-apartheid era

  Margaret J. Kartomi

  166-174

  • PDF

• On teaching Americans to play mbira like Zimbabweans

  Erica Azim

  175-180

  • PDF

• Africa and Indonesia reconsidered

  George T. Nurse

  181-188

  • PDF

Book Reviews

• MUSICS OF THE WORLD'S CULTURES: A SOURCE BOOK FOR MUSIC EDUCATORS, editors: Barbara Lundquist and C.K. Szego with Bruno Nettl, Ramon Santos and Einar Solbu, published by the Callaway International Resource Centre for Music Education (CIRCME) for the International Society for Music Education (ISME), 1998. 234 pp.

  Elizabeth Oehrle

  189-190

  • PDF

• VIDEOS OF AFRICAN AND AFRICAN-RELATED PERFORMANCE: AN ANNOTATED BIBLIOGRAPHY, by Carol Lems-Dworkin, Evanston, Ill.:Lems-Dworkin Publishers 1996, xx-331pp.

  Erika Bourguignon

  190-191

  • PDF

• THINKING IN JAZZ: THE INFINITE ART OF IMPROVISATION, by Paul Berliner, Chicago Studies in Ethnomusicology, University of Chicago Press, 1994, pp. 883 (music texts 250pp)

  Rick van Heerden

  191-193

  • PDF

• NIGHTSONG: POWER AND PRACTICE IN SOUTH AFRICA, by Veit Erlmann, Chicago, London: University of Chicago Press 1996

  Angela Impey

  193-195

  • PDF

• AFRICA FOLK MUSIC ATLAS, hardbound book, CD-ROM and 3CD-Audio, edited by Leonardo D'Amico and Francesco Mizzau, 1997, Firenze, Italy: Amharsi Edizioni Multimediali. 93pp.

  Diane Thram

  195-196

  • PDF

Additional Articles

• ILAM digitisation project

  197

  • PDF

Films on African Music

• Films on African music

  197-[201]

  • PDF

Back matter

• Backmatter

  Andrew Tracey

  [202]

  • PDF