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• On transcribing African music

  A.M. Jones

  11-14

  1958-11-30

  DOI: https://doi.org/10.21504/amj.v2i1.521

• The state of folk music in Bantu Africa

  Hugh Tracey

  8-11

  1954-12-01

  DOI: https://doi.org/10.21504/amj.v1i1.219

• TRANSCENDING THE SONIC AND THE TEXTUAL SENWELE MUSIC PERFORMANCE IN ILORIN, NORTHERN NIGERIA

  Obianuju Akunna Njoku

  1-24

  2023-02-27

  DOI: https://doi.org/10.21504/amj.v11i4.2458

• HYBRIDITY IN MODERN NIGERIAN MUSIC THE CASE OF IGBO CHORAL ART MUSIC

  Chidi Obijiaku

  25-42

  2023-02-27

  DOI: https://doi.org/10.21504/amj.v11i4.2456

• Organisation of music in Adangme society

  J.H. Nketia

  28-30

  1958-11-30

  DOI: https://doi.org/10.21504/amj.v2i1.524

• "Cuban music is African music": negotiating Africa and the African diaspora on the world music stage

  Aleysia K. Whitmore

  [111]-121

  2013-11-01

  DOI: https://doi.org/10.21504/amj.v9i3.1913

• Indonesia and Africa: the xylophone as a culture-indicator

  A.M. Jones

  36-47

  1960-11-30

  DOI: https://doi.org/10.21504/amj.v2i3.608

• African music in Christian worship

  Johan K. Louw

  51-53

  1958-11-30

  DOI: https://doi.org/10.21504/amj.v2i1.529

• The future of music in Basutoland

  Hugh Tracey

  10-14

  1959-11-30

  DOI: https://doi.org/10.21504/amj.v2i2.582

• The International Library of African Music

  Hugh Tracey

  71-73

  1954-12-01

  DOI: https://doi.org/10.21504/amj.v1i1.232

• "African music", a lecture given at Natal University

  Trevor Cope

  33-41

  1959-11-30

  DOI: https://doi.org/10.21504/amj.v2i2.586

• Hotness revisited metaphor and environment in discourse on African music

  Lyndsey Hoh Copeland

  91-122

  2022-02-28

  DOI: https://doi.org/10.21504/amj.v12i1.2432

• African music within its social setting

  Hugh Tracey

  56-58

  1958-11-30

  DOI: https://doi.org/10.21504/amj.v2i1.531

• The social mechanics of good music: a description of dance clubs among the Anlo Ewe-speaking people of Ghana

  Kobla Ladzekpo

  6-22

  1971-07-07

  DOI: https://doi.org/10.21504/amj.v5i1.1144

• KNOWLEDGE TRANSFER: INDIGENOUS AFRICAN MUSIC IN THE SOUTH AFRICAN MUSIC CURRICULUM

  Mandy Carver

  119-141

  2017-11-01

  DOI: https://doi.org/10.21504/amj.v10i3.2199

• EDMUND "NTEMI” PILISO JAZZING THROUGH DEFEAT AND TRIUMPH: AN INTERVIEW

  Christopher Ballantine, Dr

  144-159

  2018-11-22

  DOI: https://doi.org/10.21504/amj.v10i4.2237

• "CREATIVE ETHNOMUSICOLOGY” AND AFRICAN ART MUSIC: A CLOSE MUSICAL READING OF WOOD AND CLAY, KUNDI DREAMS AND UMRHUBHE GEESTE BY ANTHONY CAPLAN

  Jeffrey Brukman

  142-163

  2017-11-01

  DOI: https://doi.org/10.21504/amj.v10i3.2200

• METER, FEEL, AND PHRASING IN WEST AFRICAN BELL PATTERNS: THE EXAMPLE OF ASANTE KETE FROM GHANA

  Ben Paulding

  62-78

  2017-11-01

  DOI: https://doi.org/10.21504/amj.v10i3.2196

• Drums down the centuries

  A.M. Jones

  4-10

  1957-11-30

  DOI: https://doi.org/10.21504/amj.v1i4.453

• LEO PALAYENG BRIDGING THE GAP FROM TRADITIONAL TO ELECTRONIC ACHOLI MUSIC

  Rémy Jadinon

  90-106

  2023-02-27

  DOI: https://doi.org/10.21504/amj.v11i4.2459

• The Shantu music of the Harims of Nigeria

  Mercedes MacKay

  56-57

  1955-11-30

  DOI: https://doi.org/10.21504/amj.v1i2.255

• CONTESTING NORMS EMERGING TRENDS IN YORUBA ISLAMIC MUSIC IN NIGERIA

  Stephen Toyin Ogundipe

  73-89

  2023-02-27

  DOI: https://doi.org/10.21504/amj.v11i4.2457

• Employments of the "standard pattern" in Yoruba music

  Anthony King

  51-54

  1960-11-30

  DOI: https://doi.org/10.21504/amj.v2i3.610

• Changing times

  Willard Rhodes

  6-9

  1959-11-30

  DOI: https://doi.org/10.21504/amj.v2i2.581

• Traditional music of the Ga people

  J.H. Nketia

  21-27

  1958-11-30

  DOI: https://doi.org/10.21504/amj.v2i1.523