Vol. 10 No. 3 (2017): African Music: Journal of the International Library of African Music

"Hangriba." Performed by the Shatta Boys, Cape Coast, Ghana.
DOI: https://doi.org/10.21504/amj.v10i3
Published: 2017-11-01

Front Matter

  • African Music: Journal of the International Library of African Music, Vol. 10, No. 3 (2017)

    [1-3]
    DOI: https://doi.org/10.21504/amj.v10i3.2191

Editorial

  • From the editor

    4-6
    DOI: https://doi.org/10.21504/amj.v10i3.2192

Articles

  • IN A WORLD OF THEIR OWN: MEMORY AND IDENTITY IN THE FISHING SONGS OF A MIGRANT EWE COMMUNITY IN GHANA

    Eric Debrah Otchere
    7-22
    DOI: https://doi.org/10.21504/amj.v10i3.2193

  • 'YET NONE WITH TRUER FERVOUR SING': CORONATION SONG AND THE (DE)COLONIZATION OF AFRICAN CHORAL COMPOSITION

    Christine Lucia
    23-44
    DOI: https://doi.org/10.21504/amj.v10i3.2194

  • APPROACHES TO THE ADAPTATION OF SHONA NGOMA STYLES IN ZIMBABWEAN POPULAR MUSIC

    Vimbai Chamisa
    45-61
    DOI: https://doi.org/10.21504/amj.v10i3.2195

  • METER, FEEL, AND PHRASING IN WEST AFRICAN BELL PATTERNS: THE EXAMPLE OF ASANTE KETE FROM GHANA

    Ben Paulding
    62-78
    DOI: https://doi.org/10.21504/amj.v10i3.2196

  • GUIDED SYNCRETISM: REPACKAGING BADAGRY-OGU MUSIC IN THE CONTEXT OF LAGOS' POSTCOLONIAL MODERNITY

    Joseph Kunnuji
    79-94
    DOI: https://doi.org/10.21504/amj.v10i3.2197

  • THE BUZZ AESTHETIC AND MANDE MUSIC: ACOUSTIC MASKS AND THE TECHNOLOGY OF ENCHANTMENT

    Merlyn Driver
    95-117
    DOI: https://doi.org/10.21504/amj.v10i3.2198

  • KNOWLEDGE TRANSFER: INDIGENOUS AFRICAN MUSIC IN THE SOUTH AFRICAN MUSIC CURRICULUM

    Mandy Carver
    119-141
    DOI: https://doi.org/10.21504/amj.v10i3.2199

  • "CREATIVE ETHNOMUSICOLOGY” AND AFRICAN ART MUSIC: A CLOSE MUSICAL READING OF WOOD AND CLAY, KUNDI DREAMS AND UMRHUBHE GEESTE BY ANTHONY CAPLAN

    Jeffrey Brukman
    142-163
    DOI: https://doi.org/10.21504/amj.v10i3.2200

Book Reviews

Contributors to this number

  • Contributors to this issue

    178-179
    DOI: https://doi.org/10.21504/amj.v10i3.2206

Subscription Information

  • Subscribe now!

    180
    DOI: https://doi.org/10.21504/amj.v10i3.2207

New Publication

  • First International Bow Music Conference Proceedings

    181
    DOI: https://doi.org/10.21504/amj.v10i3.2208

Resources for Music Education

Tracklist

  • TRACKLIST VOLUME 10 NUMBER 3 • 2017

    190
    DOI: https://doi.org/10.21504/amj.v10i3.2210

Tracks

  • "Hangriba.” Performed by the Shatta Boys, Cape Coast, Ghana.

    [V]
    DOI: https://doi.org/10.21504/amj.v10i3.2211

  • Fishermen's songs.

    [Track 1]
    DOI: https://doi.org/10.21504/amj.v10i3.2212

  • Mama Sejlo singing Wayi jegba (Come and take the golden crown).

    [Track 2]
    DOI: https://doi.org/10.21504/amj.v10i3.2213

  • J Kunnuji singing Dagbe dagbe (Wonderful and marvellous).

    [Track 3]
    DOI: https://doi.org/10.21504/amj.v10i3.2214

  • J Kunnuji's composition, Wayi jegba.

    [Track 4]
    DOI: https://doi.org/10.21504/amj.v10i3.2215

  • J Kunnuji's composition, Dagbe dagbe.

    [Track 5]
    DOI: https://doi.org/10.21504/amj.v10i3.2216

Back matter

  • Backmatter

    [191]
    DOI: https://doi.org/10.21504/amj.v10i3.2217