Vol. 6 No. 4 (1987): African Music: Journal of the International Library of African Music

DOI: https://doi.org/10.21504/amj.v6i4

Published: 1987-07-21

Front Matter

• African Music, Vol. 6, No. 4 (1987)

  [i-ii]1-2

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Editorial

• A word from the Editor

  3

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Articles

• The construction and manipulation of temporal structures in Yeve cult music: A multi-dimensional approach

  Daniel Avorgbedor

  4-18

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• Classification of Igbo musical instruments, Nigeria

  Joy N. Lo-Bamijoko

  19-41

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• Idoma musical instruments

  Roger Blench

  42-52

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• African space/time concepts and the Tusona ideographs in Luchazi culture

  Gerhard Kubik

  53-89

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• Ese music: honours for the dead: status for the sponsor

  Meki Nzewi

  90-107

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• Une Analyse de la "Messe Katangaise" de Joseph Kiwele

  Kishilo W'Itunga

  108-125

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• Children's music of the Shangana-Tsonga

  Thomas F. Johnston

  126-143

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• Giriama and Digo dance styles

  Valerie A. Briginshaw

  144-154

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Book Reviews

• ANGOLAN TRAITS IN BLACK MUSIC, GAMES AND DANCES OF BRAZIL, A study of African cultural extensions overseas, by Gerhard Kubik, Junta de Investigacoes Cientificas do Ultramar, Centro de Estudos de Antropologia Cultural, No. 10, Lisbon, 1979. pp 55, photographs.

  Tiago De Oliveira Pinto

  155-159

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• THE MANDINKA BALAFON: An introduction with notation for teaching, by Lynne Jessup, illustrated by Mary McConnell, Xylo Publications, La Mesa, California, 1983. Including two cassettes, pp 191, photographs, music

  Andrew Tracey

  159-160

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• TRADITION AFRIKANISCHER BLASORCHESTER UND ENTSTEHUNG DES JAZZ, by Alfons Michael Dauer, 2 volumes, Akademische Druck- und Verlagsanstalt Graz. Volume 7 in the series Studies in Jazz Research edited by The International Society for Jazz Research and by The Institute for Jazz Research at the College of Music and Performing Arts in Graz, Austria, 1985. Text section: 240 pp, music, photographs and drawings. Notation section: 204 pp, 68 transcriptions of 51 music examples.

  Gerhard Kubik

  160-164

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• LES SANZA, Collections d'instruments de musique, by Frangois Borel. Musee d'Ethnographic, Neuchatel, Switzerland, 1986. pp. 181

  Andrew Tracey

  164-165

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• IKOLI HARCOURT WHYTE, THE MAN AND HIS MUSIC: A CASE OF MUSICAL ACCULTURATION IN NIGERIA by Achinivu Kanu Achinivu, 2 vols. Beitrage zur Ethnomusikologie, No.7. Hamberg: Verlag der Musikalienhandlung, Karl Dieter Wagner, 1979. Vol. 1: 456 p., music; vol.2: 194 p., music, texts.

  Veit Erlmann

  165-167

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• MUSIC FROM MOZAMBIQUE, CHOPI TIMBILA. Two orchestral performances recorded in Zavala, Inhambane Province, Mozambique 1981, by Ron and Ophera Hallis. No. FE 4318, Folkways Records, 43 W 61st St. NYC, USA 10023.

  Andrew Tracey

  167-168

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• MUSIC FROM MOZAMBIQUE III. Cordophonic instruments, wooden xylophone, percussion, by Ron and Ophera Hallis, 1983. No.FE.4319, Folkways Records, 43 W. 61st St, NYC, USA 10023.

  Andrew Tracey

  169-170

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Notes and News

• THE INTERNATIONAL LIBRARY OF AFRICAN MUSIC

  171

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• African music activities of the Department of Ethnomusicology at the Ethnographical Museum of Berlin (West) by Prof. Dr. Artur Simon

  171-172

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• Research project on "Systems of traditional education in Malawi” (the continuation: September 1983 to February 1984) by Dr. Gerhard Kubik

  172-175

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• EAST AFRICAN POPULAR MUSIC. From Alex Seago, Richmond College, London, 1985.

  176-177

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Contributors to this number

• Contributors to this number

  107

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Back matter

• Back Matter

  Andrew Tracey (Editor)

  178

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