Efficacy of Sound, Power, Potency and Promise in the Translocal Ritual Music of Cuban Ifa-Orisa

Authors

  • Tanesha Gibbs International Library of African Music, Rhodes University, Makhanda, South Africa

DOI:

https://doi.org/10.21504/amj.v12i1.2532

Keywords:

Book review

References

Adegbite, A. 1991. “The Concept of Sound in Traditional African Religious Music”. Journal of Black Studies 22 (1): 45–54.

Brown, David H. 2003. Santería Enthroned: Art, Ritual, and Innovation in an Afro-Cuban Religion. Routledge.

Hagedorn, Katherine J. 2001. Divine Utterances: The Performance of Afro-Cuban Santeria. Smithsonian Books.

Mason, Michael Atwood. 2002. Living Santería: Rituals and Experiences in an Afro-Cuban Religion. Smithsonian Books.

Olupona, J. O. K. and Terry Rey. 2008. Orisa Devotion as World Religion: The Globalization of Yoruba Religious Culture. University of Wisconsin Press.

Olaleye, A. O and O. A Adeyeye. 2020. “Yoruba Indigenous Music as a Medium of Communication in Yoruba Traditional Religious Sacrifices”. International Journal of Women in Technical Education and Employment 1 (1): 128–136.

Omojola, Bode. 2010. “Rhythms of the Gods: Music, Spirituality and Social Engagement in Yoruba Culture” The Journal of Pan African Studies 3 (9): 232–250.

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Published

2025-04-28

How to Cite

“Efficacy of Sound, Power, Potency and Promise in the Translocal Ritual Music of Cuban Ifa-Orisa”. 2025. African Music : Journal of the International Library of African Music 12 (1): 77-80. https://doi.org/10.21504/amj.v12i1.2532.

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